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장바구니

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오셀로

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작품 소개

셰익스피어! 이 이름을 모르는 사람은 없지만 <4대 비극>의 위대함, 작품이 내포하고 있는 진리, 그리고 그 진리를 감싸고 있는 기쁨을 제대로 즐길 수 있는 사람은 극히 소수이다. 물론 셰익스피어가 한글이 아닌 영어 그것도 현대 영어가 아니라 옛 영어로 작품을 썼다는 점이 근본적인 원인이다. 그 다음으로 셰익스피어의 작품이 훌륭한 우리말로 옮겨져 우리 문화의 일부가 되지 못한 데 그 이유가 있다. 즉 우리의 현실은 아직 셰익스피어의 한국화 혹은 토착화에 성공하지 못했다는 판단이 최종철 교수의 문제의식이다.

모든 시대를 막론하고 가장 현대적인 작품 <셰익스피어의 4대 비극>
『햄릿』 『리어왕』 『맥베스』와 함께 『오셀로』는 셰익스피어의 4대 비극이며 따라서 셰익스피어의 작품 및 당대의 극을 연구하는 데 있어서 또 하나의 커다란 축이 아닐 수 없다. 특히 『오셀로』가 다른 세 비극과 구별되는 이유는 이야고의 역할 때문이다. 『햄릿』의 클라우디우스 왕이나 『리어 왕』의 충실치 못한 딸들, 『맥베스』에서의 혼령 모두가 그들 나름대로 악하긴 하지만 이야고처럼 악마와 같은 역할을 즐기진 않는다. 이야고는 플롯을 형성하는 데 열쇠를 쥔 인물로서 다른 인물들과 모두 직접적으로 연결되어 있으며 특히 오셀로의 내면에 숨어 있는 본질을 끄집어낸 장본인이다. 이 작품에서는 <보이는 것> 즉, 실재와 겉모습 사이의 갭이 가장 중요한 주제를 형성하고 있는데 이와 관련해서는 최종철 교수의 「작품 해설」이 잘 설명해 주고 있다. 이와 더불어 신뢰와 명예, 가부장적인 정치 상황과 인종 문제 등 많은 주제와 다양한 해석을 함축하고 있다.

목차

옮긴이의 말 ····································································· 5
등장인물들 ····································································· 10

1막 1장 ····································································· 13
2장 ····································································· 24
3장 ····································································· 31

2막 1장 ····································································· 53
2장 ····································································· 70
3장 ····································································· 71

3막 1장 ····································································· 92
2장 ····································································· 96
3장 ····································································· 97
4장 ····································································· 125

 

4막 1장 ····································································· 137
2장 ····································································· 154
3장 ····································································· 169

5막 1장 ····································································· 176
2장 ····································································· 185

작품 해설 ····································································· 208
참고문헌 ····································································· 221

 

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